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I Reckon 
Luke Ivy Price 
December 3, 2022 - January 8, 2023

That’s precisely what Luke Ivy Price says he’s been doing in the two years since his last solo show at Ki Smith Gallery: reckoning. It is unusual to hear a young New York City-based artist use that phrase, but it’s a clue as to how unusual this show is. A life-sized bear, deer antlers, and farm tools are just a few artworks that most people wouldn’t expect to see at a gallery in the Lower East Side.


A sculpture in the form of a bush axe makes for an excellent entry point to the show. A bush axe is a large, curved, steel blade attached to a long wooden handle. It is becoming less popular among East Coast American farmers as a means to clear brush, but Price says that using one wasn’t uncommon in his youth. “I Reckon” as a show seems to be made for, and about, everyone who literally, or figuratively, wields a bush axe in their daily struggles.


“Anyone who’s ever swung a bush axe has been doing it out of necessity, not choice. They’re in a struggle against exceptionally difficult obstacles, they could hardly be more closely interacting with nature, and their shirt collar is most certainly blue. They might step on a snake, get cut-up by briars, or fall into a ditch, but they’re willing to see it through.”


Many of the symbols and subjects in the works are from Price’s youth in rural North Carolina, where he says he ran through the swamp catching snakes, chopped firewood, helped cut lumber at his father’s sawmill, and spent virtually all of the rest of his time drawing. This show isn’t a showcase of rural American culture, though; that’s just the accent that it’s delivered in. He’s using symbols like the bush axe to channel the prevailing feelings of working-class people the world over in recent years. It seeming too violent is an obvious critique, but Price sees this work as an alternative to escapism.


“None of the things I’m showing you are entirely true or real. They’re romanticized and abstracted in most ways. I’m doing that in order to make the feelings more real: the feelings of many in the past several years.”


By his reckoning, and mine, there is a conspicuous lack of working-class imagery and narratives in contemporary art. Who better to help rectify this situation than an artist who is (likely) the only one in the City who used to work in a cotton mill? Price sees it as his obligation to represent the blue collar perspective, if only to contribute to the diversity of ideas on display in contemporary art galleries.


The primary subject of these works is conflict and struggle. Every figure, whether human or animal, is actively opposed to another. But it is not just individual struggle that is represented here. Progressive, collectivist politics are also a facet of what Price is “reckoning” with in this show. Each painting and sculpture is a romanticized allegory of our internal and external collective unrest. These are not triumphant scenes of victory like Delacroix’s “Liberty Leading the People.” Every fight is perpetual, just as many of our struggles are ongoing. Price is simultaneously highlighting the turmoil of our moment in history while encouraging us to fight vigorously. There is potential that the fight, whatever it may be, may not be won, but to struggle is important all the same. This is art that celebrates the valorous and encourages us to nurture our bravery. Nec spe nec metu.



-Mette Jensen

About Luke Ivy Price

Luke Ivy Price is an American artist who lives and works in New York City. Price’s practice is rooted in narratives that display his passion for history and craftsmanship. Though he draws inspiration from historical figures and oft-told stories, Price’s gestural abstractions of the human form place primary importance on the inspection of emotions and interpersonal relationships. Recent bodies of work have employed the Greek mythological figure Cassandra and Oscar Wilde’s 1891 play ​Salome​ as rhetorical devices in Price’s exploration of gender, intimacy, and his own sexual history. As he explores these themes, Price remains a fervent follower of the modernist tradition rather than any exclusive medium. Price believes technique and respect for materials is essential, however, his comfort and training in a multitude of crafts––from fine art to construction––has generated resourceful and ingenuitive combinations. For example, a series of sleek, expressive artworks from his ​Salome ​exhibition was expertly crafted entirely from common homebuilding materials.

Price's work has been exhibited nationally in New York, Miami and his home state of North Carolina where he left his day job at a cotton mill and board seat on the local arts council to pursue his career in New York. His collaboration with the One Love Foundation raised significant funds to combat intimate partner violence, and his recent solo show ​Salome​ was celebrated by ​The Art Newspaper​’s Gabriella Angeleti as a must-see exhibition in New York City. Luke Ivy Price currently shows with Ki Smith Gallery and has works in several prominent private collections.

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